Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ìàëåíüêàÿ êîìåäèÿ íðàâîâ — 2000 (Èçó÷àåì èíîñòðàííûå ÿçûêè)

Êíèãà ðàññ÷èòàíà íà øèðîêèé êðóã ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê. Êàæäàÿ ñòðàíèöà òåêñòà ñíàáæåíà ïîñòðàíè÷íûì ñëîâàðåì è êîììåíòàðèåì, à òàêæå ïåðåâîäîì ðàçëè÷íûõ ëåêñè÷åñêèõ è ãðàììàòè÷åñêèõ òðóäíîñòåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., Forsyte Saga. The Man of Property — 2008 (English) (Classical Literature)

Âíèìàíèþ ÷èòàþùåé ïóáëèêè ïðåäëàãàåòñÿ ïåðâàÿ êíèãà èç òðèëîãèè Íîáåëåâñêîãî ëàóðåàòà Äæîíà Ãîëñóîðñè (1867-1933) "Ñàãà î Ôîðñàéòàõ"-"Ñîáñòâåííèê". Æèçíü âûñøåãî îáùåñòâà Ëîíäîíà ïðåäñòàâëÿåò íåìàëûé èíòåðåñ äëÿ òåõ,êòî õî÷åò çíàòü,êàê âåñòè ñåáÿ, íå òåðÿÿ ëèöà, íå âûñêàçûâàÿ îòêðûòî íèêàêèõ ýìîöèé, íå óíèæàÿ ñîáñòâåííîãî äîñòîèíñòâà, ñîáëþäàÿ ïðèëè÷èÿ, ïðè òîì ÷òî çà ôàñàäîì ÷èííîñòè è áëàãîïðèñòîéíîñòè â áîëüøîì ñåìåéñòâå Ôîðñàéòîâ áóøóþò îáùå÷åëîâå÷åñêèå ñòðàñòè: ëþáîâü, ïðåäàòåëüñòâî, èçìåíà, ñìåðòü, æåëàíèå ìåñòè,-è ãäå îñíîâîïîëàãàþùèì ÷óâñòâîì ÿâëÿåòñÿ ÷óâñòâî ñîáñòâåííîñòè. Íåêîòîðûå èññëåäîâàòåëè òâîð÷åñòâà Ãîëñóîðñè ïðèðàâíèâàþò åãî-ïî ñëîæíîñòè ÿçûêà è ãëóáèíå ìûñëåé-êî Ëüâó òîëñòîìó, ïîýòîìó â êíèãå ïðèâîäèòñÿ îáøèðíûé ñëîâàðü è äàåòñÿ ìàññà êîììåíòàðèåâ, ÷òîáû ÷èòàòåëü ñìîã îöåíèòü ïî äîñòîèíñòâó ýòî ñàìîå èçâåñòíîå ïðîèçâåäåíèå î æèçíè "öâåòà íàöèè" âèêòîðèàíñêîé Àíãëèè. Íåàäàïòèðîâàííûé òåêñò íà ÿçûêå îðèãèíàëà ñíàáæåí îáøèðíûì ñëîâàðåì è ïîäðîáíûìè êîììåíòàðèÿìè. Êíèãà ïðåäíàçíà÷åíà äëÿ ñòóäåíòîâ ÿçûêîâûõ âóçîâ è âñåõ ëþáèòåëåé àíãëèéñêîé ëèòåðàòóðû.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories for Study and Enjoyment — cop.1934

Although many excellent collections of short stories for high schools are already available, there seems still to be a place for a book of selected stories that will provide a definite plan for the study of the short story as a type of literature. The introductory chapters offer a text for studying the development of the short story and its present form. Part I, the bulk of the text, contains modern short stories for study. Each story is equipped with (1) an introduction containing necessary information about the author and his work; (2) a set of general questions designed rather to help the student learn than to test his learning; and (3) a problem developing some particular aspect of the short-story form.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Short Stories of the 20th Century. 1900-1950 — 1988

 ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., A Modern Comedy. The White Monkey. Vol.1 — 1956

English novelist and playwright, winner of the Nobel Prize for Literature in 1932, Galsworthy became known for his portrayal of the British upper middle class and for his social satire. His most famous work was The Forsyte Saga of which this is the second part. See other titles by this author available from Kessinger Publishing.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., A Modern Comedy. The Silver Spoon. Vol.2 — 1956

English novelist and playwright, winner of the Nobel Prize for Literature in 1932, Galsworthy became known for his portrayal of the British upper middle class and for his social satire. His most famous work was The Forsyte Saga of which this is the second part. See other titles by this author available from Kessinger Publishing.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., A Modern Comedy. Swan Song. Vol.3 — 1956

English novelist and playwright, winner of the Nobel Prize for Literature in 1932, Galsworthy became known for his portrayal of the British upper middle class and for his social satire. His most famous work was The Forsyte Saga of which this is the second part. See other titles by this author available from Kessinger Publishing.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., The End of the Chapter. Book 1-2 — 1960

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., The End of the Chapter. Book 3 — 1960

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., A Modern Comedy. The White Monkey. Book 1 — 1976

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., A Modern Comedy. The Silver Spoon. Book 2 — 1976

Fleur and Michael Mont entertain the glittering society characters of the day in their new, elegant, and fashionable house. As always, Fleur—s father—Soames Forsyte—is constantly by the side of his daughter, spoiling and watching over her. But London after the war is a place of carefree attitudes that are alarming and baffling to old Soames. Just when he thinks he is protecting his daughter, he finds himself triggering a major social scandal.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., A Modern Comedy. Swan Song. Book 3 — 1976

The nine novels which make up The Forsyte Chronicles -- one of the most popular and enduring works of 20th century literature -- chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women. The author has drawn a fascinating and accurately detailed picture of the British propertied class. Michael Mont is succeeding in his public life in Parliament, but holds grave doubts about his private life and his wife, Fleur. Fleur's original love, Jon Forsyte, her cousin and the son of her father's ex-wife, returns to England where a meeting is inevitable. Fleur's undying love for Jon is disclosed. Other members of the Forsyte family are included in this imminently readable saga.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., The Forsyte Saga. The Man of Property. Book 1 — 1974

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., The Forsyte Saga. To Let. Book 3 — 1975

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., Maid in Waiting — 1932

Maid in Waiting is the first novel in the third and final volume of the Forsyte Saga Chronicles, the seventh of the nine novels. Following the quite climatic ending to the previous volume, we put the Forsytes to one side and concentrate instead on the Cherrell family, cousins of the Mont—s; the family Fleur Forsyte married into. Fleur and her husband Michael having now been married for about eight years, remain just peripheral characters in this novel. Hubert Cherrell, son of Sir Conway Cherrell, on sick leave from the R.A.F, joined an expedition to Bolivia, where he got into a whole heap of trouble involving some Bolivian men who Hubert flogged for animal cruelty — one man was shot — and the expedition failed. Now Hubert has had his name linked to the failure of the expedition in the newspapers, by Hallorsen — the American who led the expedition and has had hard words to say about Hubert since. Soon it appears that Hubert may even have to face extradition to Bolivia to answer for the shooting, which Hubert claims was self-defence. Cue, lots of upper class white men saying rather unpleasant things about the trustworthiness of mere Bolivians — we know what to expect I suppose with things written at this time. There are moments however when this all gets a bit wearisome. I wondered however whether Galsworthy wasn—t deliberately highlighting the typical English, white upper class attitude here — and decided he possibly was — as ever he concerns himself with portraying various sections of society — certainly there is a prevalent arrogant attitude toward the non-English.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., The Forsyte Saga — 1983

The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Soames Forsyte is the brilliantly portrayed central figure, a Victorian who outlives the age, and whose baffled passion for his beautiful but unresponsive wife Irene reverberates throughout the saga. Written with both compassion and ironic detachment, Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women in an intensely competitive male world. Above all, Gallsworthy is concerned with the conflict at the heart of English culture between the soulless materialism of wealth and property and the humane instincts of love beauty and art.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., Swan Song — 1929

The nine novels which make up The Forsyte Chronicles -- one of the most popular and enduring works of 20th century literature -- chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women. The author has drawn a fascinating and accurately detailed picture of the British propertied class.Michael Mont is succeeding in his public life in Parliament, but holds grave doubts about his private life and his wife, Fleur. Fleur's original love, Jon Forsyte, her cousin and the son of her father's ex-wife, returns to England where a meeting is inevitable. Fleur's undying love for Jon is disclosed. Other members of the Forsyte family are included in this imminently readable saga.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Galsworthy J., English love stories — cop. 2006 (Ëèòåðàòóðà íà èíîñòðàííûõ ÿçûêàõ) (àóäèîêíèãà)

Ñáîðíèê îáúåäèíÿåò ôèëèãðàííûå ðàññêàçû äâóõ èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé íà÷àëà ÕÕ âåêà: Äæîíà Ãîëñóîðñè è Êýòðèí Ìýíñôèëä, ïèñàòåëüíèöû íîâîçåëàíäñêîãî ïðîèñõîæäåíèÿ, àâòîðà èñêóñíûõ ïñèõîëîãè÷åñêèõ íîâåëë

Ñîäåðæàíèå: Salvation of a Forsyte / John Galsworthy. The stranger / Katherine Mansfie. Psychology / Katherine Mansfie. Mr. and Mrs. Dove / Katherine Mansfie

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ